Toutes peintures ā l'huile d'Laura Theresa Alma-Tadema
Choice ID Image  Painting (From A to Z)       Details 
73564 A coign of vantage  A coign of vantage   Date 1895(1895) Medium Oil on canvas cyf
73397 A Favourite Custom  A Favourite Custom   Date 1909(1909) Source Picture scan cyf
80570 A Greek Woman Sir Lawrence Alma  A Greek Woman Sir Lawrence Alma   oil on canvas Height: 66.7 cm (26.26 in.), Width: 47.09 cm (18.54 in.) Date 1869(1869) cyf
80486 A Pyrrhic Dance Sir Lawrence Alma  A Pyrrhic Dance Sir Lawrence Alma   1869 Guildhall Art Gallery London (England) Painting - oil on canvas Height: 40.59 cm (15.98 in.), Width: 81.31 cm (32.01 in.) cyf
58194 At the Doorway  At the Doorway   "At the Doorway" (1898), by Laura Alma-Tadema
80405 Caracalla Sir Lawrence Alma  Caracalla Sir Lawrence Alma   oil on panel Date 1902(1902) cyf
80403 Hadrian Visiting a Romano  Hadrian Visiting a Romano   oil on canvas Date 1884(1884) cyf
92058 Interno della chiesa di San Clemente  Interno della chiesa di San Clemente   1863(1863) Medium oil on canvas cyf
80402 Not at Home Sir Lawrence Alma  Not at Home Sir Lawrence Alma   oil on panel Date 1879(1879) cyf
91301 Pompeian Scene or The Siesta  Pompeian Scene or The Siesta   1868(1868) Medium oil on canvas cyf
73563 Roses of Heliogabalus  Roses of Heliogabalus   Date 1888 Medium Oil on canvas Dimensions (132.1 X 213.9 cm) 52 X 84 1/8 inches cyf
85947 Sappho and Alcaeus  Sappho and Alcaeus   1881(1881) Medium Oil on canvas cyf
80406 Saturnalia  Saturnalia   oil on panel Date 1880(1880) cyf
95174 Spring  Spring   This is a reproduction of the 1894 painting Spring by Lawrence Alma-Tadema. cyf
80400 Tarquinius Superbus Sir Lawrence Alma Tadema  Tarquinius Superbus Sir Lawrence Alma Tadema   oil on panel Date 1867(1867) cyf
85686 The finding of Moses  The finding of Moses   1904(1904) Medium Oil on canvas Dimensions 137.5 x 213.4 cm (54.1 x 84 in) cyf
89421 The roses of Heliogabalus  The roses of Heliogabalus   oil on canvas, 133 x 214 cm cyf
87715 The Triumph of Titus  The Triumph of Titus   Oil on canvas, 1885 Date 1885(1885) cyf
88752 The Vintage Festival  The Vintage Festival   1870(1870) Medium Oil on canvas Dimensions 77 x 177 cm (30.3 x 69.7 in) cyf
58193 The Women of Amphissa  The Women of Amphissa   The Women of Amphissa, by Lawrence Alma Tadema.
72212 With a Babe in the Woods  With a Babe in the Woods   between 1879(1879) and 1880(1880) Oil on canvas mounted on panel 31.1 X 22.9 cm (12.24 X 9.02 in) cjr
73841 With a Babe in the Woods  With a Babe in the Woods   Date between 1879(1879) and 1880(1880) Medium Oil on canvas mounted on panel Dimensions 31.1 X 22.9 cm (12.24 X 9.02 in) cyf
67800 Women of Amfiss  Women of Amfiss   Technique Oil on panel Dimensions 129.9 X 182.9 cm (51.14 X 72.01 in)
Laura Theresa Alma-Tadema
(1852 C 15 August 1909 in Hindhead) was from 1871 the second wife of the painter Lawrence Alma-Tadema and a painter in her own right. A daughter of Dr George Napoleon Epps (who was brother of Dr John Epps), her two sisters were also painters (Emily studied under John Brett, a Pre-Raphaelite, and Ellen under Ford Madox Brown), whilst Edmund Gosse and Rowland Hill were her brothers-in-law. It was at Madox Brown's home that Alma-Tadema first met her in December 1869, when she was aged 17 and he 33. (His first wife had died in May that year.) He fell in love at first sight,and so it was partly her presence in London (and partly the fact that only in England had his work consistently sold) that influenced him into relocating in England rather than elsewhere when forced to leave the continent by the outbreak of the Franco Prussian War in July 1870. Arriving in London at the beginning of September 1870 with his small daughters and sister Artje, Alma-Tadema wasted no time in contacting Laura, and it was arranged that he would give her painting lessons. During one of these, he proposed marriage. As he was then thirty-four and Laura was now only eighteen, her father was initially opposed to the idea. Dr Epps finally agreed on the condition that they should wait until they knew each other better. They married in July 1871 and, though this second marriage proved childless, it also proved enduring and happy, with Laura acting as stepmother to her husband's children by his first marriage. The Paris Salon in 1873 gave Laura her first success in painting, and five years later, at the Paris International Exhibition, she was one of only two English women artists exhibited.



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